Community Advocacy Delivered

This year, the arts community showed up—and lawmakers listened. From an energized Advocacy Day at the Capitol to hundreds of emails, phone calls, and heartfelt testimonies throughout the session, Oregon’s arts supporters made their voices impossible to ignore. And it paid off.

Capital Investments across Oregon

One of the most exciting outcomes: full funding for all 13 projects recommended through the Cultural Resources Economic Fund(CREF). In total, $8.275 million will go to build, restore, and preserve beloved community spaces across the state—from Coos Bay to Bend, Jacksonville to Salem. These peer-reviewed projects, each ranging from $150,000 to $2 million, represent every corner of Oregon and will deliver long-term cultural and economic value to their regions.

“These 13 CREF projects represent more than bricks and mortar—they’re investments in the heart of our communities,” said Ginger Savage, who led the statewide CREF advocacy effort. “From rural towns to urban centers, these cultural spaces bring people together, tell our stories, and drive local economies. I’m incredibly proud that, even in a tough budget year, the legislature recognized the value of these projects and made a commitment to Oregon’s cultural future.”

Historic Preservation Incentives Reauthorized

In another major win, legislators reauthorized Oregon’s Special Assessment for Historic Properties program—a vital tax credit that had expired. The program encourages investment in historic buildings by providing a discounted tax assessment for ten years in exchange for appropriate preservation improvements. This outcome reflects years of advocacy by Restore Oregon and other preservation and arts partners and will ensure Oregon’s architectural and cultural heritage continues to thrive.

Progress on Anchor Arts Funding

While lawmakers did not fund the six large arts organizations the way we had proposed in an amendment to HB 3189, they did make investments in the Oregon Shakespeare Festival and Portland Center Stage.

Oregon Arts Commission Funding Holds Steady

While the legislature did not approve the increase we sought for the Oregon Arts Commission, we’re grateful its budget was not cut, unlike many other state agencies and programs. In a year marked by deep economic uncertainty, budget writers made the broad decision to avoid committing to any new ongoing expenses. Even so, maintaining the Arts Commission’s current funding level reflects lawmakers’ recognition of the vital role it plays in supporting artists, organizations, and cultural programming across the state. And we’ll continue advocating for that increase.

A Historic Letter from the Arts & Culture Caucus

“I am thrilled to see the CREF slate fully funded…it’s such an important opportunity to support arts and culture organizations across the state,” said Rep. Rob Nosse (D-Portland), co-chair of the Arts & Culture Caucus. “We are looking to the future and we aren’t giving up on increasing the grant fund program for the Arts Commission.”

Looking Ahead

In a year when budget writers had every reason to pull back—facing a $500 million drop in projected revenue and extreme uncertainty in federal funding —arts and culture not only held the line, but advanced. These wins reflect a growing understanding that investing in creativity, culture, and history strengthens every community in Oregon.

We’re grateful to our champions in the legislature—including Rep. Nosse and caucus co-chair Sen. Dick Anderson (R-Lincoln City)—and to every advocate who helped get us here.

We’re not done. These wins are a foundation to build on as we continue working toward increased operating support for the Oregon Arts Commission, stronger cultural infrastructure, and equitable investment in every region.

The post Oregon’s Arts & Culture Sector Scores Key Legislative Wins Despite Budget Challenges appeared first on Cultural Advocacy Coalition of Oregon.

The Cultural Advocacy Coalition of Oregon isn’t just about fine arts, music, and theatre…we also lobby for support of historic preservation and culture. In fact, most of this year’s CREF projects recommended for capital funding involve historic preservation:

• B17 Alliance Foundation, Salem-$350,000 (hangar purchase for iconic B-17G)
• Columbia River Maritime Museum, Astoria-$700,000 (Mariners Hall project)
• Coos Art Museum, Coos Bay-$325,000 (restore and revamp only art museum on the coast)
• High Desert Museum, Bend-$2 million (addition and renovation)
• Historic Jacksonville, Jacksonville-$150,000 (“Museum Without Walls” project)
• Maxville Heritage Interpretive Center, Joseph-$300,000 (development of site as educational resource)
• Mt. Hood Cultural Center and Museum, Government Camp-$450,000 (building expansion)
• Museum at Warm Springs, Warm Springs-$1.5M (renewal and exhibit updates)
• Salem Art Association, Salem-$175,000 (re-imagining Bush House Museum)
• The Historic Elsinore Theatre, Salem- $350,000 (renovation of theatre/new signage)
• World Forestry Center, Portland-$1 million (campus transformation/Experience Center project)

This new plan isn’t just about saving old buildings—it’s about uniting Oregonians in an effort to safeguard traditions, collections, and places that make the state unique. The plan outlines four key issues that will shape the future of Oregon’s heritage preservation:

1. Building the Heritage Community – Empowering the folks who keep history alive by connecting them to the growing, diverse communities that make up the state.
2. Preservation Planning – Saving historic places by ensuring they’re identified, protected, and well funded for years to come.
3. Government Support – Calling for more efficient, transparent processes from federal, state, and local governments and better administration of laws that protect Oregon’s history.
4. Tech to the Rescue – Developing statewide tech tools to digitize historical documents and manage preservation efforts online.

The plan is designed to make Oregon’s preservation efforts more inclusive, accessible, and far reaching. The “heritage community”—a team of governments, museums, advocacy groups, and professionals—will spearhead the movement, ensuring that everyone from Tribes to real estate professionals plays a part in preserving Oregon’s legacy.

If you’re interested in learning more, check out oregonheritage.org, where the plan is available in both English and Spanish. Printed copies can also be requested from Oregon.heritage@oprd.oregon.gov or calling 503-986-0690.

Oregon’s past isn’t just meant to be admired—it’s meant to be protected, shared, and celebrated. Here’s to preserving history, one landmark at a time!

The post Oregon’s historic treasures get a boost appeared first on Cultural Advocacy Coalition of Oregon.

We are confident these projects are ready for state investment, meaning they have solid progress in their plans, have raised private funds, and are viable for many years:

• B17 Alliance Foundation, Salem-$350,000 (hangar purchase for iconic B-17G)
• Columbia River Maritime Museum, Astoria-$700,000 (Mariners Hall project)
• Coos Art Museum, Coos Bay-$325,000 (restore and revamp only art museum on the coast)
• Eastern Oregon Regional Theatre, Baker City-$600,000 (Baker Orpheum Theatre renovation)
• High Desert Museum, Bend-$2 million (addition and renovation)
• Historic Jacksonville, Jacksonville-$150,000 (“Museum Without Walls” project)
• Maxville Heritage Interpretive Center, Joseph-$300,000 (development of site as educational resource)
• Mt. Hood Cultural Center and Museum, Government Camp-$450,000 (building expansion)
• Museum at Warm Springs, Warm Springs-$1.5M (renewal and exhibit updates)
• Oregon Shakespeare Festival, Ashland-$375,000 (Black Swan Theatre renovation)
• Salem Art Association, Salem-$175,000 (re-imagining Bush House Museum)
• The Historic Elsinore Theatre, Salem- $350,000 (renovation of theatre/new signage)
• World Forestry Center, Portland-$1 million (campus transformation/Experience Center project)

View photos and details.

“It was an honor to work with nine arts leaders around the state to recommend 14 shovel-ready cultural capital projects to the Oregon Legislature,” said Ginger Savage, Chair of CREF Committee and Executive Director, Crossroads Carnegie Art Center. “From preserving a historic airplane and revamping the only art museum on the Oregon Coast to restoring theatres, sites, and entertainment spaces, these projects will revitalize arts and culture across the state.”

“I’m always excited to support the geographically diverse capital projects recommended by CACO,” said Oregon Representative Rob Nosse. “They highlight the best of Oregon, highlighting our diverse history, vibrant arts scene, and thrilling cultural sector. I’m happy to champion this well-curated collection.”

The post CACO endorses 13 new capital projects for funding appeared first on Cultural Advocacy Coalition of Oregon.

The post Recap of 2024 Legislative Session appeared first on Cultural Advocacy Coalition of Oregon.

The bill allocates a total of $11.8 million for arts and culture, with $5.9 million going to 13 out of 14 CREF projects. These projects are crucial for the resilience and sustainability of Oregon’s arts and culture organizations:

• Oregon Film Museum (Astoria)
• Black United Fund (Portland)
• Oregon Caves (Cave Junction)
• Columbia County Museum (St. Helens)
• Josephine Community Library Foundation (Grants Pass)
• Southern Oregon Historical Society (Medford)
• PAMCUT (Portland)
• Very Little Theatre (Eugene)
• Portland Institute for Contemporary Art
• Rainier Historical Society
• Eco-Earth Globe (Salem)
• Portland Playhouse
• Painted Sky Center for Arts (John Day)

As this Oregonian article explains, the only CREF project not approved for funding is the High Desert Museum in Bend. Dana Whitelaw, executive director and a CACO board member, expressed disappointment. “It’s a total surprise. We were assured that legislative leadership was supportive of all of the projects. It’s a huge loss for central Oregon.”

The Legislature also approved our request for $5.9 million in resiliency funding for the state’s major arts organizations, including the High Desert Museum, Oregon Ballet Theatre, Oregon Shakespeare Festival, Oregon Symphony, Portland Art Museum, Portland Center Stage, and Portland Opera.

While this funding is a step in the right direction, unfortunately our request for $13.5 million to fund a grant program for smaller organizations did not get approved. Advocates had emphasized the need for equitable distribution of resiliency funding to prevent a repeat of the previous session’s shortcomings

“We are grateful to Rep. Rob Nosse for his foresight and continued commitment to the cultural sector. He has tirelessly championed arts and culture funding, and this bill could never have happened without his advocacy.”
–J.S. May, CACO Board President

Ongoing work is needed to ensure that all arts and culture organizations receive the support they need to thrive.

Some of our arts & culture champions are moving on, so we’ll need to identify new champions in the Ways and Means Committee and Senate and House leadership.

Today, we celebrate. Senate Bill 5701 represents a significant win for Oregon’s arts and culture sector, providing much-needed support.

Tomorrow, we continue the work to ensure that all organizations, especially smaller nonprofits, receive the support they need to recover and thrive.

Thank you for your ongoing support!

CACO Board

The post Artistic triumph: Oregon Legislature backs arts & culture appeared first on Cultural Advocacy Coalition of Oregon.

The Black United Fund (BUF) stands as a beacon of hope and empowerment for the Black community. Their ambitious project, the Building United Future Complex on North Alberta Street in Portland, will expand support for local Black, Indigenous, and other artists of color; Black-led and -serving nonprofits and small businesses; and other mission-aligned organizations. The Oregon Legislature’s decision not to fund the $900,000 project has left a void in the organization’s pursuit of positive change.

Founded in 1983, BUF assists in the social and economic development of Oregon’s underserved communities and contributes to a broader understanding of ethnic and culturally diverse groups. As one of the only Black-led foundations in Oregon, BUF is also one of the few remaining Black-led organizations in historically Black Northeast Portland…remaining a powerful presence right in the heart of Portland’s gentrification.

The new headquarters, Building United Future Complex, will expand opportunities for economic development, education, and community well-being in the Black community. The comprehensive plan includes a razing and rebuild of their physical space, along with an expansion to provide more accessible co-location options for small and emerging nonprofits and businesses. With the new building, BUF will be able to showcase and shelter more local artists and nonprofit organizations and continue to offer a place for the Black community to come together and thrive.

The project will increase BUF’s capacity by 200%, allowing the organization to serve 4,000 people directly and nearly 40,000 indirectly each year. Already, BUF has touched the lives of over 75,000 Oregonians. They have awarded more than $10 million in scholarships; supported 1,000 marginalized Portland-area youth and dozens of Black artists and entrepreneurs each year; and allocated $49.5 million in federal relief funding to Black individuals, families, businesses, and nonprofits.

The heart of BUF’s strength lies in its collaborative approach to community service. Their commitment extends beyond providing support. They offer physical space for smaller mission-aligned partner nonprofits at accessible or below-market rates. BUF staff act as mentors, providing technical and financial assistance. The Building United Future Complex will broaden this support further. The larger and more dynamic space will offer a nurturing environment for even more emerging organizations.

The project carries the hopes and aspirations of the entire community. The complex aims to be an “unapologetically Black space,” and defined by many as “a homecoming” for the Black community on Alberta Street. With over 30,000 square feet of space, the complex will become a hub for youth programs, arts organizations, economic development, and small business support, and a vibrant showcase of local art. The building will give them better visibility and new partners who will be co-located there, including Black-led, women-led, and -serving nonprofits and social service agencies.

The denied funding poses a significant setback for BUF and the broader community it serves, who have been planning this project as a community for several years. They have gained significant support and momentum, yet are in need of “close the gap” support for this shovel-ready project. Without crucial financial support, the project is delayed until the organization can raise additional funds to bridge the gap. In addition, other sources of funding hinge on BUF’s ability to secure this legislative support.

The Building United Future Complex is a symbol of resilience, strength, and community empowerment. As BUF regroups and continues to create positive change, the community eagerly awaits the day when the doors of the complex will swing open, welcoming a new era of support, collaboration, and empowerment for Black, Indigenous, and other people of color.

The post Unveiling the unfulfilled dream: the Black United Fund’s Building United Future Complex appeared first on Cultural Advocacy Coalition of Oregon.

Did you know?

• The first professional motion picture with a plot filmed in Oregon was “The Fisherman’s Bride,” filmed in Astoria in 1909.
• “Animal House” was filmed at the University of Oregon, because the University of Oregon president felt regret over preventing “The Graduate” (1967) from being filmed there.
• Oregon has become a force in stop-motion animation over the past 40 years. From Will Vinton and his Dancing Raisins, to Laika (Coraline, ParaNorman, and more) and ShadowMachine (Academy Award winning Guillermo del Toro’s Pinocchio), Oregonians have been producing the best stop-motion animation on the planet.

The Oregon Film Museum in Astoria chronicles the vibrant history of film and television production in Oregon. With more than 500 major productions filmed in Oregon’s diverse landscapes, the state has become a canvas for storytellers to bring their visions to life. From iconic classics like “Stand By Me” to modern hits like “Portlandia” and “Grimm,” Oregon’s contributions to the world of cinema are undeniable.

Astoria and Clatsop County have hosted an impressive array of films, including “The Goonies,” “Kindergarten Cop,” and “Free Willy.” These productions have left an indelible mark on the local community and have become cherished cultural landmarks.

Currently housed in the historic Clatsop County Jail, the Oregon Film Museum offers visitors a unique opportunity to step into the world of filmmaking. The museum’s setting, which served as an actual working set for films like “The Goonies” and “Come See the Paradise,” provides a captivating backdrop for exploring the magic of cinema. Guests can even try their hand at filmmaking using the museum’s sets and green screens.

In 2022, the Oregon Film Museum saw record-breaking attendance, welcoming 45,501 visitors—an astounding 20% increase from the previous year. Visitors from all 50 states and over 20 nations flocked to the museum, underscoring its universal appeal. Additionally, the Clatsop County Historical Society, which oversees the museum, educated more than 85,000 visitors across its 4 museums, reflecting a 14% increase over 2021.

The demand for Oregon film history exceeds the museum’s capacity. To fully realize its educational mission and accommodate growing interest, the museum has acquired a new property, strategically located near the existing facility. They plan to construct a 13,000-square-foot, state-of-the-art museum, offering an immersive experience that delves deeper into Oregon’s cinematic legacy. They were hoping to receive $1 million from the Oregon Legislature as a CREF nominee.

Committed to nurturing the next generation of storytellers, the museum offers free admission to schoolchildren in Clatsop County, ensuring that youth can explore the world of filmmaking. Through hands-on experiences and interactions with industry professionals, the museum aims to inspire future filmmakers, writers, and artists. But they are bursting at the seams.

“We get every single fourth grader in Astoria through the museum, but we have to break those school groups into small groups because the building is too small,” says Mac Burns, executive director of the Clatsop County Historical Society. “That defeats a lot of the potential educational experiences in this facility. With our new building we look forward to having an open classroom space. We’ll invite artists in residence who have worked in the industry to spend a week on the coast and interact with our kids. It might be someone who does special effects makeup, a cinematographer, or a set designer.”

The new facility will not only celebrate the state’s cinematic heritage but also serve as a hub for diverse forms of media, including film, television, commercials, and potentially gaming. The museum aims to demystify the creative process and inspire a broader audience.

As the Oregon Film Museum embarks on this ambitious expansion, it seeks to open doors for future generations of filmmakers and storytellers. By showcasing the rich tapestry of Oregon’s film history and its broader contributions to media production, the museum continues to be a beacon of inspiration for artists, educators, and film enthusiasts worldwide. The new facility promises to amplify this mission, inviting visitors to embark on an immersive journey through the captivating world of storytelling.

The post Expanding the Oregon Film Museum: A Gateway to Oregon’s Film Legacy appeared first on Cultural Advocacy Coalition of Oregon.

The Very Little Theatre, a cornerstone of Eugene’s cultural landscape for nearly a century, is on the brink of an exciting transformation. Plans are under way to renovate and remodel one of the oldest theatres in the country, ensuring it remains a vibrant hub for artistic expression and community engagement for generations to come.

The vision

Founded in 1929, the Very Little Theatre has long been a sanctuary for performers and audiences alike. However, with the passage of time, the theatre has outgrown its space. The expansion broadens community accessibility and elevates the experience for volunteers and patrons, all while preserving the theatre’s distinctive charm. 

The project’s significance

“At the moment the set for the next show is starting to be built on the stage,” explains Ron Evans, executive director. “And a bunch of community groups, including dance companies, children’s theatre groups, and others are contacting us to use the space, and we can’t fit them in because of the set being built.”

The Very Little Theatre plans to build a new scene shop as an addition to their main stage building, so all the sets then can be built in the scene shop, freeing up the main stage for use by community groups and smaller theatre programs.

The theatre’s renovation and expansion project carries immense importance on multiple fronts:

• Preserving heritage: The renovation efforts will safeguard the building’s architectural and historical significance, allowing future generations to appreciate the richness of Eugene’s performing arts heritage.
• Fostering artistic growth: The upgraded facilities will provide artists with cutting-edge resources, empowering them to explore their craft to its fullest potential. This investment in the creative process is expected to yield more compelling and impactful productions.
• Strengthening community bonds: The Very Little Theatre has been a space for people from all walks of life to come together, forging a sense of unity and shared cultural experiences. The renovation project ensures this tradition continues, guaranteeing the theatre remains a vital nexus for community engagement.
• Enhancing accessibility: The project places a strong emphasis on accessibility, making the theatre more inclusive for all members of our community. This commitment reflects the theatre’s dedication to serving a diverse and vibrant audience.

“This renovation isn’t just about updating a building; it’s about revitalizing a space that holds a special place in the hearts of so many,” continues Ron Evans. “The Very Little Theatre has been a cultural cornerstone for our community for nearly a century. It’s where people come together to share stories, to learn, and to connect. This project is about ensuring that legacy continues for generations to come.”

A beacon of artistic expression

Ron Evans explains, “We are truly a community theater. We welcome anyone who wants to be a part of telling the story. You don’t have to have any experience. You can literally walk in off the street and say, ‘I’d love to get involved.’”

The Very Little Theatre has been run by volunteers since 1929, when a bunch of people wanted to do a show. Ron is the first permanent executive director. “You can walk in off the street here and say, I’d like to get involved with the lights or working backstage. Where do I find out how to audition?” Each show features people who have never acted before in their whole lives.

With a clear vision, unwavering dedication, and community support, this project will breathe new life into the theatre, securing its place as a beacon of artistic expression in the Willamette Valley for years to come. We urge the Oregon Legislature to fund the Very Little Theatre’s expansion.

The post Breathing New Life into Very Little Theatre: A Vision for the Future appeared first on Cultural Advocacy Coalition of Oregon.

Nestled in the heart of Salem, Riverfront Park is a testament to the city’s commitment to preserving nature’s beauty while celebrating cultural diversity. The Eco-Earth Globe sits at the center of the park. Crafted over five years by local artists, students, and volunteers, this historic attraction has weathered the elements for two decades. Now it needs restoration to match the park’s growing vibrancy.

Originally an acid ball used in the wood pulp processing at the former Boise Cascade operation, the globe was transformed into a stunning work of art by local artists and high school students 20 years ago. Over 86,000 tiles depict the world, reflecting the rich diversity of life on land and water. Beyond the tiles, 200 special icons represent various cultures, religions, and events. Any weather-damaged icons are being repaired or recreated by the original artists, along with current local high school students.

Throughout the year, Riverfront Park hosts a myriad of annual events, from the vibrant World Beat Festival to the Ironman Triathlon. Families gather for summer movies, while the holiday tree lighting ceremony ushers in the festive season. Additionally, the park hosts numerous walk/run and cultural events.

The driving force behind restoring the Eco-Earth Globe is the Salem Parks Foundation, a group of dedicated volunteers with a passion for enhancing the city’s parks. Committed to filling gaps in park budgets, the foundation channels resources towards amenities that might otherwise be overlooked. This all-volunteer team, led by board president Carol Snyder, contributes their time and effort to improving Salem’s livability.

Beyond its aesthetic appeal and designation as a local historic landmark, the Eco-Earth Globe is a powerful symbol of cultural diversity and global harmony. Its intricate design and icons remind visitors of the interconnectedness of all nations and peoples.

Restoring this cherished monument is estimated to cost $400,000, a sum partially shouldered by the city, leaving $300,000 to be raised. Community members have raised $70,000 from donations, and they were hoping to receive $150,000 in CREF funds from the Oregon Legislature.

The Salem Parks Foundation has been tirelessly working to secure funding, rallying individuals and seeking grants from organizations like the Oregon Cultural Trust and Oregon Community Foundation. Every contribution brings them one step closer to revitalizing this symbol of unity.

Through the dedicated efforts of the Salem Parks Foundation, this landmark can be restored to its former glory. With the support of the community, the renewed Eco-Earth Globe can continue to inspire generations to come. We urge the legislature to fund its restoration.

The post Restoring the Eco-Earth Globe in Salem’s Riverfront Park appeared first on Cultural Advocacy Coalition of Oregon.

Living in Portland or other Oregon cities, it’s easy for residents to immerse themselves in the arts. But Grant County is an hour and a half from the nearest movie theater. You’d have to travel over three hours to Boise or The Gorge if you want to see a big-name band. And the nearest art museum is in Boise. Several years ago, Grant County was an arts and cultural desert in the desert.

One day painter Kim Randleas realized how many artists were scattered around the county without an arts & culture community. She floated the idea of creating an arts center, and 250 people showed up to the first open house. Funded by the $1,200 raised at that first gathering, the Painted Sky Center for the Arts (PSCA) was born in 2018. As the only first and only brick-and-mortar arts organization in Grant County, the center’s yearly revenue is now $400,000 five years later.  Until July of this year, PSCA was mostly run by volunteers.

PSCA now operates the county’s first and only after-school art program, along with many other classes such as visual arts, leather working, ceramics, photography, fiber arts, literary arts, and many more to come. The art center’s executive director, board members, staff, and volunteers are committed to developing an art-centric, equitable community focused on healthy living through the arts. PSCA offers a neutral place where everybody can leave their politics behind and just have fun. Residents might find themselves participating in a pottery throw-down or learning about writing, drawing, or making a leather bracelet.

After years of being spread out in three different locations in Canyon City and John Day, the arts center needs a multi-use permanent space to continue thriving and expanding. They currently operate next to the Kam Wah Chung State Heritage Site, offering opportunities for cultural partnerships.

PSCA is growing quickly and busting at the seams of their current space. For example, the leather department and visual arts department have to share a classroom, the children’s classroom has limited space, and the center lacks room for large events. The small space limits what they can offer to the community.

“Our dream is to have a dedicated space for each art medium, space to hold public art exhibits, and eventually a performing arts department. Our goal is to someday purchase our own building. Unfortunately that goal is on hold because of the failed CREF funding from the Oregon Legislature,” says Valerie Munyon, the center’s first executive director. “Meanwhile, we are doing our best to raise funds and keeping our fingers crossed for the fall legislative session.”

A new building will offer opportunities for year-round livability and economic benefits to the whole area as a community hub. PSCA would be able to expand cultural offerings in the area by hosting conferences, exhibits, and performances. They expect a new center to increase their visitors by 250% in the first year and by 100% each year thereafter.

A thriving arts & culture community give people another reason to travel to eastern Oregon and invest tourist dollars there. Rural counties with arts organizations experience population growth three times higher than counties without arts institutions, according to “Rural Prosperity through the Arts & Creative Sector: A Rural Action Guide for Governors and States.” Arts-focused counties also have up to $6,000 higher incomes than rural counties that lack performing arts organizations.

See a video showing PSCA in action and learn why it’s so important to the health of Grant County. The center works with community counseling solutions and veteran services to offer art therapy. The county has a 16 percent poverty rate and high drug epidemic, and art has been proven to increase well-being, confidence, and hopes for the future; reduce isolation; and even open up career pathways for youth.

When one of our rural counties thrives, the whole state of Oregon thrives. We need to continue to invest in Grant County through PSCA.

The post Bringing joy to an arts desert: Painted Sky appeared first on Cultural Advocacy Coalition of Oregon.